Rated PG-13, 111 minutes
Wes's Take:
A mesmerizing, hypnotic chase thriller about a young teenage assassin (Saoirse Ronan) on the run from a CIA agent (Cate Blanchett), who has ties with the girl's father (Eric Bana). "Atonement's" Joe Wright, who directed Ronan to an Oscar nomination in 2007 for that film, skillfully handles the material with excellent performances from all (Blanchett's Southern accent is especially a treat). The moody club-style music is annoyingly overdone, but it adds some nice, stylish touches to the dark but vastly entertaining film, and the breathless ending is a keeper. Definitely worth seeing.
Wes's Grade: B
Worth Seeing: Yes, though a tad intense at times.
Friday, April 8, 2011
Sunday, April 3, 2011
Your Highness - C
Rated R for strong crude and sexual content, pervasive language, nudity, violence and some drug use, 102 minutes
Sloppy medieval stoner comedy "Your Highness" hit-or-miss
"Your Highness" isn't as bad as you think, but it's still not that great. Silly, sloppy and far too long and busy, it's like "Lord of the Rings" as told by Peter Griffin and enacted by Stewie. Admittedly, there are a handful of guilty-pleasure gags and the cast performs well with the improvised dialogue, but it tries too hard (i.e. loads of unnecessary special effects and creatures among other things), as if to overcompensate for the slack, somewhat misogynistic material.
The story concerns two medieval brothers, Fabious (James Franco) and Thadeous (Danny McBride) who have a good life. Fabious rescues a fair maiden named Belladonna (Zooey Deschanel), only to have her kidnapped again by the evil magical Leezar (Justin Theroux). On their quest to save her, they meet up with a tough, hot chick named Isabel (Natalie Portman), who's on her own personal quest to kill Leezar. "Your Highness" is a mildly entertaining, but a mediocre, one-joke premise of a film stretched out too long and on a bigger budget than most in this genre. It's still a buddy-buddy stoner flick comedy, just set long, long ago.
David Gordon Green, who directed both Franco and McBride in 2008's "Pineapple Express" and also works with McBride on the funny HBO series "Eastbound and Down," seems a good fit for the material, what there is of it. McBride, also an executive producer, is credited with co-writing the script, but all the dialogue and many scenes are improvised, which is a mixed bag. Some scenes work better than others (most anytime a creature is onscreen, it doesn't).
McBride is a genuinely funny comedian whose Southern drawl make things sound funnier than they really are, and his comic presence, along with the decent chemistry he has with Franco, faring far better than his recent Oscar hosting gig, is the film's highlight. The women fare worse, but it has certainly nothing to do with looks. The lovely Deschanel is woefully miscast and the toned Portman is underused,in a supporting role smaller than the trailers make it seem (she doesn't even appear until almost halfway through the film).
Throw in some expensive costumes, sets and some amped up, busy special effects and creatures, and it ends up a dizzying, somewhat bizarre mix of comedy and action. It's better than say "Year One" or "Land of the Lost," though in fact that's not saying much, and hopefully it will do better than those films.
The low brow "Your Highness" expects a lot of the audience and is strictly hit-or-miss with all the junk it throws at you. You'll laugh, you'll be offended, likely won't remember much of it after it's over.
Wes's Grade: C
Wes's Grade: C
Soul Surfer - B-
Rated PG for an intense accident sequence and some thematic material, 110 minutes
Inspiring, well-acted true story "Soul Surfer"
"Soul Surfer" tells the true story of Hawaiian teen surfer Bethany Hamilton, who in 2003 lost an arm to a tiger shark while surfing but who continued to make waves by becoming a one-armed championship surfer. Inspiring and well-acted, "Soul Surfer" is a bit too earnest and a tad too long for what it is, but it still manages to tug the heart-strings at the right moments and is a refreshing, suitable family film.
Hamilton (played by Anna Sophia-Robb) is a talented teen surfer in Hawaii born into a surfing family led by Tom and Cheri Hamilton (Dennis Quaid and Helen Hunt). With the talent to be a professional surfer, Hamilton is out practicing with her best friend Alanna Blanchard (Lorraine Nicholson) and her father Holt (Kevin Sorbo) when she is attacked by a shark and her arm is bitten off. With her story gaining notoriety, Bethany is now faced with living life with one arm and must decide if she'll ever get in the water again to surf.
"Soul Surfer" is a touching family film that's a fresh change of pace for those looking for an uplifting family film. Some may not enjoy the faith-filled film, but even with that it should still have wide appeal, particularly with Quaid and Hunt in the cast. Sean McNamara, primarily a TV director of Disney shows, points the film in the right direction, even if the film often has a TV-movie feel to it, particularly with the casting of country singer Carrie Underwood as Bethany's church friend, in her feature film debut. Underwood, a lovely singer but whose acting skills are limited, performs serviceable in a small part.
Sophia-Robb, whose performed in other family films "Bridge to Terabithia" and "Because of Winn-Dixie," is a touching Bethany, and the film pulls the right amount of heart strings, if it does feel a smidgen manipulative. Earnest and suitable, this is one the whole family can enjoy, though this story fits the small screen a little better. Stay over through the credits to see Bethany, along with her family and friends portrayed in the film.
Wes's Grade: B-
Inspiring, well-acted true story "Soul Surfer"
"Soul Surfer" tells the true story of Hawaiian teen surfer Bethany Hamilton, who in 2003 lost an arm to a tiger shark while surfing but who continued to make waves by becoming a one-armed championship surfer. Inspiring and well-acted, "Soul Surfer" is a bit too earnest and a tad too long for what it is, but it still manages to tug the heart-strings at the right moments and is a refreshing, suitable family film.
Hamilton (played by Anna Sophia-Robb) is a talented teen surfer in Hawaii born into a surfing family led by Tom and Cheri Hamilton (Dennis Quaid and Helen Hunt). With the talent to be a professional surfer, Hamilton is out practicing with her best friend Alanna Blanchard (Lorraine Nicholson) and her father Holt (Kevin Sorbo) when she is attacked by a shark and her arm is bitten off. With her story gaining notoriety, Bethany is now faced with living life with one arm and must decide if she'll ever get in the water again to surf.
"Soul Surfer" is a touching family film that's a fresh change of pace for those looking for an uplifting family film. Some may not enjoy the faith-filled film, but even with that it should still have wide appeal, particularly with Quaid and Hunt in the cast. Sean McNamara, primarily a TV director of Disney shows, points the film in the right direction, even if the film often has a TV-movie feel to it, particularly with the casting of country singer Carrie Underwood as Bethany's church friend, in her feature film debut. Underwood, a lovely singer but whose acting skills are limited, performs serviceable in a small part.
Sophia-Robb, whose performed in other family films "Bridge to Terabithia" and "Because of Winn-Dixie," is a touching Bethany, and the film pulls the right amount of heart strings, if it does feel a smidgen manipulative. Earnest and suitable, this is one the whole family can enjoy, though this story fits the small screen a little better. Stay over through the credits to see Bethany, along with her family and friends portrayed in the film.
Wes's Grade: B-
Arthur - C
Rated PG-13 for alcohol use throughout, sexual content, language and some drug references, 102 minutes
Brand muddles way through the mediocre, unnecessary "Arthur" remake
If you haven't had enough of British comedian Russell Brand from last week's dreadful animated flick "Hop," then you're bound to go see him in the muddled new remake of the Oscar-winning classic comedy "Arthur," with Dudley Moore forever remembered as the rich, lovable drunk. It's really just a thinly disguised vehicle to showcase Brand's hit-or-miss schtick to the big screen, and Helen Mirren fans should rejoice that she is by far the best thing about the tiresome comedy.
Brand is Arthur Bach, a rich playboy and heir to a fortune and a business empire currently run by his distant, cold mother Vivienne (Geraldine James). Arthur's mother and her many investors are troubled by his rowdy, substance-abuse induced behavior. Arthur's long-suffering nanny Hobson (Mirren) does her best to keep him in line, to no avail. In order to keep the business in the family and for Arthur to keep his fortune, he has been ordered to marry the business-savvy Susan (Jennifer Garner), who Arthur isn't attracted to, and further complicates matters when he falls for a common working girl named Naomi (Greta Gerwig).
"Arthur" is an unimaginative, needless remake that lacks the utter charm and playfulness of the original, not to mention Dudley Moore and John Gielguld, who won an Oscar for his role. Those are mighty big shoes to fill, and the unconventional Brand would seem an inspired choice for the remake, but whereas Moore was well-loved, Brand is still an emerging, somewhat untested talent who many find offensive. Granted, Brand has a few moments of wit and charm, but otherwise his schtick grows tiresome very quickly.
Fortunately, "Arthur" has the brilliant, Oscar-winning actress in Mirren, who makes Hobson her own and nearly steals the show with her effortless one-liners. Though Gerwig makes for a humble working girl, Garner is miscast in a role that was originated by "L.A. Law's" Jill Eikenberry. Some of the updates to the original work well (Arthur sobering up through AA) while others don't at all (a badly executed love scene with Garner and Nick Nolte, you don't belong here) and by the time it delivers it's shabby, predictable ending, you won't care about the time you've invested with such unsympathetic characters.
"Arthur" could've also benefited from better direction than than newcomer Jason Winer, a TV director whose direction feel very episodic here. Above all, they should've known not to mess with an classic, and the original "Arthur," released exactly 30 years ago this year (my how time flies!), was playful, charming and loads of fun. The calculated, muddled remake isn't nearly as charming or fun. Skip this and rent the original instead.
Wes's Grade: C
Brand muddles way through the mediocre, unnecessary "Arthur" remake
If you haven't had enough of British comedian Russell Brand from last week's dreadful animated flick "Hop," then you're bound to go see him in the muddled new remake of the Oscar-winning classic comedy "Arthur," with Dudley Moore forever remembered as the rich, lovable drunk. It's really just a thinly disguised vehicle to showcase Brand's hit-or-miss schtick to the big screen, and Helen Mirren fans should rejoice that she is by far the best thing about the tiresome comedy.
Brand is Arthur Bach, a rich playboy and heir to a fortune and a business empire currently run by his distant, cold mother Vivienne (Geraldine James). Arthur's mother and her many investors are troubled by his rowdy, substance-abuse induced behavior. Arthur's long-suffering nanny Hobson (Mirren) does her best to keep him in line, to no avail. In order to keep the business in the family and for Arthur to keep his fortune, he has been ordered to marry the business-savvy Susan (Jennifer Garner), who Arthur isn't attracted to, and further complicates matters when he falls for a common working girl named Naomi (Greta Gerwig).
"Arthur" is an unimaginative, needless remake that lacks the utter charm and playfulness of the original, not to mention Dudley Moore and John Gielguld, who won an Oscar for his role. Those are mighty big shoes to fill, and the unconventional Brand would seem an inspired choice for the remake, but whereas Moore was well-loved, Brand is still an emerging, somewhat untested talent who many find offensive. Granted, Brand has a few moments of wit and charm, but otherwise his schtick grows tiresome very quickly.
Fortunately, "Arthur" has the brilliant, Oscar-winning actress in Mirren, who makes Hobson her own and nearly steals the show with her effortless one-liners. Though Gerwig makes for a humble working girl, Garner is miscast in a role that was originated by "L.A. Law's" Jill Eikenberry. Some of the updates to the original work well (Arthur sobering up through AA) while others don't at all (a badly executed love scene with Garner and Nick Nolte, you don't belong here) and by the time it delivers it's shabby, predictable ending, you won't care about the time you've invested with such unsympathetic characters.
"Arthur" could've also benefited from better direction than than newcomer Jason Winer, a TV director whose direction feel very episodic here. Above all, they should've known not to mess with an classic, and the original "Arthur," released exactly 30 years ago this year (my how time flies!), was playful, charming and loads of fun. The calculated, muddled remake isn't nearly as charming or fun. Skip this and rent the original instead.
Wes's Grade: C
Friday, April 1, 2011
Source Code - B
Rated PG-13 for some violence including disturbing images, and for language, 93 minutes
“Source Code” an intriguing but baffling rideJust when you thought you had “Inception” figured out after several viewings, along comes "Source Code,” another sci-fi action adventure in that same vein. Thrilling, confusing fun, this is on a far less epic scale than “Inception” and likely less cerebral, but still just as baffling, particularly the heartfelt ending. You won’t figure out “Source Code” in one sitting, but it’s good escapist fun.
Jake Gyllenhaal is decorated army airman Captain Colter Stevens, who finds himself in the body of an unknown man, then discovers he’s part of a secret U.S. military mission to find the bomber of a Chicago commuter train. Over time, he learns he’s actually part of a highly secret government experiment called the “Source Code,” a program that enables him to cross over into another man’s identity in the last 8 minutes of his life in a parallel state. In order to uncover the identity of the bomber, he must relive the incident over and over and piece together clues. In the meantime, he gets to know a girl on the train (Michelle Monaghan) along with his colleague (Vera Farmiga) who becomes his ally in this deadly mission.“Source Code” is as preposterous as it sounds on paper, but it works as original sci-fi escapist fare due to the engaging performances of leads Gyllenhaal, Monaghan and Farmiga, along with the skilled direction of Duncan Jones, who directed another underrated sci-fi thriller a few years back, “Moon,” and who may be better known as rock legend David Bowie’s son. “Source Code,” much like “Inception,” brings the sci-fi realm to the mainstream, just don’t expect to understand it all. The visuals effects, particularly the huge, jumpy explosions, are the highlight of the film.
On paper, this seems like a dramatic, sci-fi version of “Groundhog Day,” though in fact there’s more to it than that. There are lots of hidden messages and overtones about afterlife and secret government projects, and the more you try to decipher it, the more ridiculously confused you’ll get, particularly the film’s final act, which is a bit anti-climactic and predictable but still enjoyable fun. The romantic subplots aren’t well developed either, but Gyllenhaal and Monaghan make for a handsome couple.You’ll leave “Source Code” baffled but still entertained. A good time will be had, just try not to figure it out.
Wes’s Grade: B
Insidious - C
Rated PG-13 for thematic material, violence, terror and frightening images, and brief strong language, 102 minutes
Creepy but uneven "Insidious" has a handful of chills
The new low-budget horror film "Insidious" comes from the makers of the "Saw" franchise, but don't worry, this film is nowhere near as gratuitiously violent and bloody as those films. The film, about a family who is haunted by demonic spirits, has a few good jumps and bumps and evokes a creepy vibe, but it nearly falls apart midway through with an unexpected change in tone that dampers the film's effectiveness.
A successful middle-class family, college professor Josh Lambert (Patrick Wilson) and his songwriting wife Renai (Rose Byrne) move into a new suburban home with their three children, including the precocious Dalton (Ty Simpkins). After Dalton unexpectedly falls on a ladder, he goes into a coma and weird things start to happen around the house with Renai seeing some highly unusual spirits that seem to surround Dalton. After they move houses and with the help of a spiritual guide and family friend named Elise (Lin Shaye), they soon discover the truth about the demons following their son.
"Insidious" is a bizarre, chilly but uneven horror film that starts off well but is hampered by a change in tone midway through that hurts the film. Director James Wan, director and producer from the "Saw" film franchise, directs the film and co-writes with his business partner Leigh Whannell (who also has a small part in the film) with some originality; as a straight horror film the film is chilling particularly in its first half. Less is always more, and the more that's revealed, the more murky "Insidious" gets, not to mention an uneven tone. It goes for more laughs than chills in the last act, an uncomfortable and striking change that throws the film off course.
Wilson and Byrne mix the right effectiveness of parental angst and confusion as Dalton's parents, though the final twists, including the mildly surprising ending and some fuzzy, otherwise ridiculous explanations make their performances an afterthought. Considering the low-budget feel of the production, "Insidious" is not a terrible film and certainly not as bad as it could've been, but it should've stuck to being an honest to goodness horror film instead of the attempts at camp horror, itself a tricky thing.
Worth maybe a look for horror film enthusiasts but you've seen better before.
Wes's Grade: C
Creepy but uneven "Insidious" has a handful of chills
The new low-budget horror film "Insidious" comes from the makers of the "Saw" franchise, but don't worry, this film is nowhere near as gratuitiously violent and bloody as those films. The film, about a family who is haunted by demonic spirits, has a few good jumps and bumps and evokes a creepy vibe, but it nearly falls apart midway through with an unexpected change in tone that dampers the film's effectiveness.
A successful middle-class family, college professor Josh Lambert (Patrick Wilson) and his songwriting wife Renai (Rose Byrne) move into a new suburban home with their three children, including the precocious Dalton (Ty Simpkins). After Dalton unexpectedly falls on a ladder, he goes into a coma and weird things start to happen around the house with Renai seeing some highly unusual spirits that seem to surround Dalton. After they move houses and with the help of a spiritual guide and family friend named Elise (Lin Shaye), they soon discover the truth about the demons following their son.
"Insidious" is a bizarre, chilly but uneven horror film that starts off well but is hampered by a change in tone midway through that hurts the film. Director James Wan, director and producer from the "Saw" film franchise, directs the film and co-writes with his business partner Leigh Whannell (who also has a small part in the film) with some originality; as a straight horror film the film is chilling particularly in its first half. Less is always more, and the more that's revealed, the more murky "Insidious" gets, not to mention an uneven tone. It goes for more laughs than chills in the last act, an uncomfortable and striking change that throws the film off course.
Wilson and Byrne mix the right effectiveness of parental angst and confusion as Dalton's parents, though the final twists, including the mildly surprising ending and some fuzzy, otherwise ridiculous explanations make their performances an afterthought. Considering the low-budget feel of the production, "Insidious" is not a terrible film and certainly not as bad as it could've been, but it should've stuck to being an honest to goodness horror film instead of the attempts at camp horror, itself a tricky thing.
Worth maybe a look for horror film enthusiasts but you've seen better before.
Wes's Grade: C
Hop - C
Rated PG for some mild rude humor, 90 minutes
Humans the weakest part of the otherwise amusing "Hop"
Sometimes mixing live action with animation can work into a magical film like "Who's Roger Rabbit?" or a mediocre one like "Alvin and the Chipmunks." The new Easter-themed "Hop" takes on an age-old icon with mixed results, with the human being the weak link. "Hop" is a fun take on the Easter Bunny and while the animation is colorful, the voices are energetic, the humans are as bland as ever, with as much freshness as a week-old candy Easter egg. It would've worked far better without the stale live-action that simply drags this otherwise amusing film down considerably.
The movie tells of E.B. (Russell Brand), a teenage rabbit who on the eve of taking over from his father (Hugh Laurie) as the Easter Bunny, leaves his home in Easter Island for Hollywood to pursue his dream of becoming a drummer, and is hit by Fred O'Hare (James Marsden) an out of work slacker who was driving home. Feigning injury, E.B. manipulates Fred to take him in as he recovers. As Fred struggles with the world's worst house guest, both will learn what it takes to finally grow up, as Fred is pressed to partner with E.B. to save Easter from a evil Easter Chick named Carlos (Hank Azaria) who wants Easter Chicks to be in charge of Easter.
"Hop" is a mildly amusing, colorful take on the Easter Bunny that's hampered by it's live-action and a very very thin story stretched out over 90 minutes. If all of this seems familiar, it's because it's directed by Tim Hill, who did the first "Alvin and the Chipmunks" and the live-action-animated infused "Garfield," neither classics in any genre. As long as the animated characters are onscreen, "Hop" works OK, but when the humans come on screen, the film slows down considerably.
Marsden is a decent actor but he's miscast here; it's simply hard to buy the fact he's a twenty-something slacker and it would've been wiser to focus on the character's sister, played by "Bing Bang Theory's" Kaley Cuoco, younger, prettier and funnier. Brand, Laurie and Azaria all hit the right notes as the bunnies and chicks hashing it out over who wants to run Easter.
It also borrows too many elements from Santa Claus to be truly original. Kids will want to hop down to the theater to see "Hop," especially with Easter on the horizon, and the movie isn't altogether terrible, but it misses the mark more than it doesn't, and overall an unmemorable animated effort.
Wes's Grade: C
Humans the weakest part of the otherwise amusing "Hop"
Sometimes mixing live action with animation can work into a magical film like "Who's Roger Rabbit?" or a mediocre one like "Alvin and the Chipmunks." The new Easter-themed "Hop" takes on an age-old icon with mixed results, with the human being the weak link. "Hop" is a fun take on the Easter Bunny and while the animation is colorful, the voices are energetic, the humans are as bland as ever, with as much freshness as a week-old candy Easter egg. It would've worked far better without the stale live-action that simply drags this otherwise amusing film down considerably.
The movie tells of E.B. (Russell Brand), a teenage rabbit who on the eve of taking over from his father (Hugh Laurie) as the Easter Bunny, leaves his home in Easter Island for Hollywood to pursue his dream of becoming a drummer, and is hit by Fred O'Hare (James Marsden) an out of work slacker who was driving home. Feigning injury, E.B. manipulates Fred to take him in as he recovers. As Fred struggles with the world's worst house guest, both will learn what it takes to finally grow up, as Fred is pressed to partner with E.B. to save Easter from a evil Easter Chick named Carlos (Hank Azaria) who wants Easter Chicks to be in charge of Easter.
"Hop" is a mildly amusing, colorful take on the Easter Bunny that's hampered by it's live-action and a very very thin story stretched out over 90 minutes. If all of this seems familiar, it's because it's directed by Tim Hill, who did the first "Alvin and the Chipmunks" and the live-action-animated infused "Garfield," neither classics in any genre. As long as the animated characters are onscreen, "Hop" works OK, but when the humans come on screen, the film slows down considerably.
Marsden is a decent actor but he's miscast here; it's simply hard to buy the fact he's a twenty-something slacker and it would've been wiser to focus on the character's sister, played by "Bing Bang Theory's" Kaley Cuoco, younger, prettier and funnier. Brand, Laurie and Azaria all hit the right notes as the bunnies and chicks hashing it out over who wants to run Easter.
It also borrows too many elements from Santa Claus to be truly original. Kids will want to hop down to the theater to see "Hop," especially with Easter on the horizon, and the movie isn't altogether terrible, but it misses the mark more than it doesn't, and overall an unmemorable animated effort.
Wes's Grade: C
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